Hagar! A feminist reception-history sampler of global art from the eighth to the twenty-first century

Laura G Krauss

Etd

Hagar! A feminist reception-history sampler of global art from the eighth to the twenty-first century

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MLA citation style (9th ed.)

Laura G Krauss. Hagar! A Feminist Reception-history Sampler of Global Art From the Eighth to the Twenty-first Century. San Francisco Theological Seminary. rim.ir.atla.com/concern/etds/0b2b69bb-bd6b-4e19-9354-33efec3dd8a1?locale=zh.

APA citation style (7th ed.)

L. G. Krauss. Hagar! A feminist reception-history sampler of global art from the eighth to the twenty-first century. https://rim.ir.atla.com/concern/etds/0b2b69bb-bd6b-4e19-9354-33efec3dd8a1?locale=zh

Chicago citation style (CMOS 17, author-date)

Laura G Krauss. Hagar! A Feminist Reception-History Sampler of Global Art From the Eighth to the Twenty-First Century. San Francisco Theological Seminary. https://rim.ir.atla.com/concern/etds/0b2b69bb-bd6b-4e19-9354-33efec3dd8a1?locale=zh.

Note: These citations are programmatically generated and may be incomplete.

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Laura G Krauss

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抽象的

The biblical figure Hagar, in Genesis 16 and 21, is explored through the methodology of Reception-History. The dissertation/project commences with an exegesis of the sacred texts and traditions of Judaism, Christianity, and Islam concerning the slave of Sarah and mother of Ishmael, Abraham's first child. Focusing on selected works of art from diverse cultures and periods, including manuscripts, paintings, sculptures, poetry, and films, the iconography is contextually and hermeneutically analyzed from each artist's social location. The study culminates in a proposed museum exhibition featuring the artists' visual interpretations of the Hagar narrative which were fine-tuned in two workshops.

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