Handel's Messiah as proclamation: a study in building a theology for scared music performance

Timothy D Abel

Etd

Handel's Messiah as proclamation: a study in building a theology for scared music performance

Publique Deposited

MLA citation style (9th ed.)

Timothy D Abel. Handel's Messiah As Proclamation: a Study In Building a Theology for Scared Music Performance. Perkins School of Theology Southern Methodist University. rim.ir.atla.com/concern/etds/de05529e-26ac-4ad3-9097-be7ee5cca919?locale=fr.

APA citation style (7th ed.)

T. D. Abel. Handel's Messiah as proclamation: a study in building a theology for scared music performance. https://rim.ir.atla.com/concern/etds/de05529e-26ac-4ad3-9097-be7ee5cca919?locale=fr

Chicago citation style (CMOS 17, author-date)

Timothy D Abel. Handel's Messiah As Proclamation: a Study In Building a Theology for Scared Music Performance. Perkins School of Theology Southern Methodist University. https://rim.ir.atla.com/concern/etds/de05529e-26ac-4ad3-9097-be7ee5cca919?locale=fr.

Note: These citations are programmatically generated and may be incomplete.

Créateur

Timothy D Abel

Déclaration des droits

In Copyright

Abstrait

The purpose of this dissertation is to examine whether a work of music can function as proclamation. The steps in the study are as follows: 1) to develop a set of criteria based on Karl Barth's understanding of proclamation in 'Church Dogmatics' by which a work of music can be judged to function as proclamation; 2) to apply this criteria to part one of 'Messiah' by George F Handel; and 3) to evaluate the ability of people to hear 'Messiah' as proclamation after attending a class series on the work's theological, biblical, and musicological perspectives.

Éditeur