Emotion and rationality in African American Seventh-Day Adventist worship

James R Doggette

Etd

Emotion and rationality in African American Seventh-Day Adventist worship

Public Deposited

MLA citation style (9th ed.)

James R Doggette. Emotion and Rationality In African American Seventh-day Adventist Worship. Claremont School of Theology. rim.ir.atla.com/concern/etds/80c0ed36-721d-4bb0-974e-5f3d94477fea?locale=en.

APA citation style (7th ed.)

J. R. Doggette. Emotion and rationality in African American Seventh-Day Adventist worship. https://rim.ir.atla.com/concern/etds/80c0ed36-721d-4bb0-974e-5f3d94477fea?locale=en

Chicago citation style (CMOS 17, author-date)

James R Doggette. Emotion and Rationality In African American Seventh-Day Adventist Worship. Claremont School of Theology. https://rim.ir.atla.com/concern/etds/80c0ed36-721d-4bb0-974e-5f3d94477fea?locale=en.

Note: These citations are programmatically generated and may be incomplete.

Creator

James R Doggette

Keyword

Refugees, Haitian

Rights Statement

In Copyright

Abstract

As an African American Seventh-Day Adventist clergyman, this writer has struggled with designing a worship service that is rational enough to be accepted by traditional Adventists yet emotional enough to be appreciated by typical African Americans. This project is an historical overview of Seventh-Day Adventist and African religious culture, seeking to extract the principal tenets of each tradition to blend them into a more dynamic worship style that is appealing to the African American community and faithful to the traditions and objectives of the Seventh-Day Adventist Church at the same time. This project suggests that since traditional Black Seventh-Day Adventist public evangelism typically combines 'the truth' (rationality) with rhythm (emotion), by coloring the weekly worship service with these elements, a dynamic worship style could result. Such a style would satisfy the rational and emotive dimensions of the Neo-Pentecostal worship style that is predicted to dominate the African American worship scene for decades to come.

Publisher