The sacred songs of the followers of the Lamb: an examination of Latvian Brudergemeine hymns from 1739

Sarma A Eglite

Etd

The sacred songs of the followers of the Lamb: an examination of Latvian Brudergemeine hymns from 1739

Público Deposited

MLA citation style (9th ed.)

Sarma A Eglite. The Sacred Songs of the Followers of the Lamb: an Examination of Latvian Brudergemeine Hymns From 1739. Boston University School of Theology. rim.ir.atla.com/concern/etds/565eb970-414b-4143-a499-24a7a680118d?locale=es.

APA citation style (7th ed.)

S. A. Eglite. The sacred songs of the followers of the Lamb: an examination of Latvian Brudergemeine hymns from 1739. https://rim.ir.atla.com/concern/etds/565eb970-414b-4143-a499-24a7a680118d?locale=es

Chicago citation style (CMOS 17, author-date)

Sarma A Eglite. The Sacred Songs of the Followers of the Lamb: an Examination of Latvian Brudergemeine Hymns From 1739. Boston University School of Theology. https://rim.ir.atla.com/concern/etds/565eb970-414b-4143-a499-24a7a680118d?locale=es.

Note: These citations are programmatically generated and may be incomplete.

Creador

Sarma A Eglite

Palabra Clave

God in music

Declaración de derechos

In Copyright

Abstracto

This study explores the theology of the images of God found in Kahdas islassitas garrigas jaukas Dzeesmas (1739), the first hymnal of Latvian Lutherans of the Pietistic movement of the Brudergemeine in the early part of the eighteenth century. The images of God are discussed in light of the early history of this movement. Traditional criticism of this movement finds it superficial and a means of control used by threatened overlords. This study, however, finds that the metaphoric power of its hymns is a profound source of life in the midst of social and religious oppression in a feudal society.

Editor